Should these Connotations Always Apply?

Dark

Just read any book or film review.  Dark implies deep, complex, fascinating, intelligent, and, therefore, somehow worthy.  I tend to think that dark is just dark.  It's not good, it's not bad.  It's just dark.  But, since we're on the subject, I believe that, for reasons possibly akin to the force of gravity, which bodies obey without needing to make any effort, it is easier to depict something dark that something Light.  The same way as it is easier to write a tragedy than a comedy.  The elements of tragedy are the same throughout nations, cultures, and centuries.  Their weight keeps them fixed, unchanged.  Comedy, however, is therefore ever-changing.  A sense of humour alters over time, and doesn't necessarily translate from one culture to another.  So, surely, writing enduring, internationally appreciated comedy requires true genius.  

Light

You hear this word and you think weightless, low-fat, superficial, not requiring much thought, lacking in substance.  And yet think of the actual meaning of the word Light when it's a noun.  Light.  Sunlight.  Daylight.  How many of us can stare at a light without wincing and shying away? Brightness.  Truth.  Speed.  All the colours of the spectrum.  Understanding.  LIGHT.  

Comfort Zone

For some reason, people described as "not wanting to leave their comfort zone" are always viewed with disapproval.  The comfort zone is a synonym of limitations, of fear, of narrow mindedness.  What exactly is wrong with comfort, anyway? Besides, a comfort zone could be a choice that fits our strength and abilities.  In my experience, people who accuse others of remaining in their comfort zone are, quite often, people who are very firmly set in their own comfort zones.

Can I be honest?

Since when has the term honesty equalled negativity, insult, rudeness and unsolicited opinions that are too personal? Someone says, "Can I be honest?" and you can bet all you have that a negative comment is about to follow.  Not only, but that the speaker feels that the word "honest" somehow entitles him/her to impose their opinion on you, and judge you.  "Can I be honest? I don't like the way you've furnished your house." "Can I be honest? I think you have such or such a defect." When was the last time you heard, "Can I be honest? I think you're a wonderful person"?

Real People

For some reason, only working-class, underprivileged, socially and financially disadvantaged individuals are referred to as Real People.  A play, film or book about Real People.  So not Downton Abbey, then.  Rich, privileged people are therefore imaginary.

I once had a play workshopped in a London theatre.  The characters were a barrister, a Cambridge academic, and a polyglot photographer.  During the feedback session, the man chairing the discussion asked the audience, "Yes, but don't you think this play isn't about Real People"? At that moment, I mentally measured the distance between my fist and his face, and wondered how real or imaginary he'd feel my punch landing on his nose. 

Organic

The buzz word of the decade.  Of course, I do believe that everything should be grown organically, i.e. without harmful pesticides, or GMOs.  But I do find that the word Organic is being somewhat overused and abused.

I ask, as I order breakfast in a café, what their baked beans are like.  "Oh, they're organic," the waiter replies, as though that means the baked beans are automatically in a league of their own in terms of high quality, flavour, health benefits, and probably ability in guaranteeing eternal youth.  I have had food poisoning from so-called organic vegetables just as I have had from non-organic ones.  Organic is politically, correct, healthy, tasty, and generally superior.  The other day, swayed, I bought a box of organic cherry tomatoes.  Their skins were so hard, I could probably have used them to re-sole my shoes.  There's a wonderful scene in the film version of David Auburn's play Proof.  A do-gooder older sister is insisting her rebellious younger sister try a hair conditioner with jojoba.  The girl asks if it's a chemical. "No, it's organic," the older woman replies.

"It can be organic and still be a chemical.  Haven't you ever heard of organic chemistry?"

Natural

There is Natural, and there is good.  They two are not necessarily synonyms.  A hairdresser I used to go to kept asking me if we should have my hair look "natural".  

"No," I replied.  "'Natural' would mean I don't come here to have my hair cut at all."

I have a natural tendency towards being impatient and abrupt.  Left in my natural state, my presence in a social scenario would be intolerable to many.

Popular

Sales assistant seem to think that if they tell a customer that a particular item is Popular, then you'll think it's automatically worth buying.  This is based on an assumption that the said customer believes that the majority is always right.  Wrong.  Whenever I'm standing in a clothes shop, dithering over a dress or a handbag, and the sales assistant tells me it's a very Popular dress or handbag, then my knee-jerk reaction is NOT to buy the said item.  I wouldn't want to turn up at a party and see another woman wearing the same dress.

Scribe Doll

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Language

My breakfast reading lately is not a newspaper, which I only get on the weekends, but Plutarch's Lives, which I have never read before. I try to get through a few pages every day. This morning I read this in his Life of Demosthenes:

"it was not so much by the knowledge of words that I came to the understanding of things, as by my experience of things I was enabled to follow the meaning of words."

 

 

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The Mutability of Literature

Language gradually varies, and with it fade away the writings of authors who have flourished their allotted time; otherwise the creative powers of genius would overstock the world, and the mind would be completely bewildered in the endless mazes of literature. Formerly there were some restraints on this excessive multiplication. Works had to be transcribed by hand, which was a slow and laborious operation; they were written either on parchment, which was expensive, so that one work was often erased to make way for another; or on papyrus, which was fragile and extremely perishable. Authorship was a limited and unprofitable craft, pursued chiefly by monks in the leisure and solitude of their cloisters. The accumulation of manuscripts was slow and costly, and confined almost entirely to monasteries. To these circumstances it may, in some measure, be owing that we have not been inundated by the intellect of antiquity—that the fountains of thought have not been broken up, and modern genius drowned in the deluge. But the inventions of paper and the press have put an end to all these restraints. They have made every one a writer, and enabled every mind to pour itself into print, and diffuse itself over the whole intellectual world. The consequences are alarming. The stream of literature has swollen into a torrent—augmented into a river-expanded into a sea. A few centuries since five or six hundred manuscripts constituted a great library; but what would you say to libraries, such as actually exist, containing three or four hundred thousand volumes; legions of authors at the same time busy; and the press going on with fearfully increasing activity, to double and quadruple the number? Unless some unforeseen mortality should break out among the progeny of the Muse, now that she has become so prolific, I tremble for posterity.

 

Washington Irving

The Sketchbook

1819

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