Suppose you had to explain to someone how a car works, but your explanation could only include the parts of the car. That is what writing about language is like.
Suppose you had to explain to someone how a car works, but your explanation could only include the parts of the car. That is what writing about language is like.
John Betjeman likened poetry to journalism more than to poetic prose. It's a helpful comparison to bear in mind and reminds us of the power of compression. When Arlene Foster of the DUP, fearful of what Brexit might mean for the Northern Irish Border, warned about a 'red line down the Irish Sea', she did not, of course, mean it literally, but the point was powerfully conveyed.
I think your challenge would even have stumped Strunk and White! :-)
I have just started reading Umberto Eco's Kant and the Platypus (great title ) and this basic problem occurred to me.
You know my theory that a poem is a single word containing letters and spaces. And if you combine all the poems ever written, you still have only one word. But eventually maybe THE word.
It's a moving target. Language changes constantly. We borrow words or reinvent the meaning and purpose. Living in a bi-lingual region has been an eye-opener on how much borrowing there is. I'm sure I've probably invented words or resurrected old words. I've tried to bring back the word "Huzzlecoo ", invented by Gelett Burgess who also invented "Blurb", but with reduced emphasis on sexual/flirtation and more on friendly banter and good-natured teasing. Our dictionaries are obsolete by the time they hit the store shelves. And then people tell me there's something called "grammar", or used to be.
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